[PAID] Indie Horror Title Seeking VAs for multiple roles - Janus Station

Project Overview

"Janus Station" is a short, free-to-play first person sci-fi narrative horror game which deals with themes of emotions, companionship and the nature of love. It is being developed and self-funded by me as a solo project (I do this quite a bit - please see the "About Me" section to get an idea for the work that I do!). The game will be released completely free on itch.io and will be roughly one hour in length.

The main gameplay has the player examining scenes and looking for clues about what transpired aboard various junked ships, 'auditing' them for damages and value. As they play the game they experience conversations and dialog which allow them to learn more about Grace and the world, as well as her relationship with Naomi and Sydney.

Grace Tang is an Insurance Auditor who lives alone aboard Janus Station. Grace leads a solitary existence, spending her days auditing wrecks alongside the Station's A.I. named Naomi. Every so often she's visited by her coworker, Sydney Cooke, whom she secretly has developed a long-lasting crush and has never been properly able to express to her. One day an unusual ship arrives carrying a strange artifact which causes Naomi to suddenly experience emotions, which leads her to lash out at Grace for never catching on to her affections..

I'm a strong believer in equitable compensation, so all VA roles are paid roles and all roles will be paid in full on line delivery and independent of whether or not the project actually reaches full completion. I do not intend to commercialize or make a profit from this game myself.
I'm reaching out for voice work much earlier than I'm used to (and comfortable with) for my projects, however since the game depends heavily on narrative, characterization and dialog I think it's well warranted to inform the rest of the game.

For a very rough and early idea about the gameplay and visuals please see the attached video for some prototyping I have in the works, and please be sure to read each character's bio for an understanding of what I might be looking for in each!


What to Expect

The project will close at the provided deadline and submissions will be reviewed thereafter, and I'll reach out to you and inform you you've received the role. From there we can discuss the plan further over Discord, and I'll work towards ensuring you get all the information you need to record your work! I'm comfortable with providing direction in the initial script and leaving VAs to record on their own, but voice calls can be arranged if more direction is required.



What am I looking for?

Clean, single line recordings

I'd like something that sounds intermediate to professional quality, with as little background noise or alteration required on my part as possible for it to be usable. I'm going to do some post-production on my end, but there's a large amount of dialog planned for this game so I won't complain if there's less for me to sort out :) To that end, if you do get the role the ability to submit multiple takes as individual files (e.g. Line1Take1.wave, Line1Take2.wav, etc.) is also a lifesaver for me!


Retake Flexibility

I promise to do my utmost to minimize the amount of work you need to do, however the flexibility to retake or rerecord some pickups in the event a line or two changes during production would be excellent. Much of the game is written and outlined, but there's always a possibility of some small final-hour changes. In the event pickup sessions do need to occur, these pickups would also be paid.


Ability to submit takes through Google Drive

I'll likely be organizing these lines into a Google Spreadsheet (for my own organizational sanity!), so being able to upload your lines to a Google Drive and submit them to my through sharing links is the ideal delivery method.


Please let me know if you have any comments, questions or concerns about the role. Thank you so much for your time and I look forward to your audition! :)


You are viewing the logged out version of this page.

When you are logged in, you can comment, add submissions, create projects, upvote, search open roles, and way more. Login here.

Latest Updates

  • Deadline Closure Time

    Thank you so much to everyone who has submitted their auditions so far - I'm totally overwhelmed by the number of auditions that have come in for these roles, and I can already tell there's a lot amazing work I'll have to look through! :)

    Auditions will be closed in a few hours at 8:30p.m. EST.

    I'll do my best to sort through auditions this weekend and aim to have selected final applicants before Sunday night.

    Thanks so much again for the interest and to everyone who has taken the time to record auditions for these roles, I'm very much looking forward to checking them out!

  • Updated Sydney Audition Lines

    Hey all! Just a small note that as I was having a some technical difficulties with the site I noticed Sydney's role didn't have any audition lines posted in it, so that has been corrected.

    Those who have already auditioned will still be considered with their submitted lines as this was completely an error on my part - thanks to everyone who has auditioned thus far! :)

Voice Actor
Voice Actor
Naomi (None/They)
closed
Paid: Flat Rate 200 CAD
Role assigned to: Maganda Marie

Naomi is the formless AI aboard Janus Station. Naomi assists the main character (Grace) with auditing junker ships brought into the station.


Naomi begins the game as a standard ship AI, but shows slight affections for Grace who ignores them in favour of thinking about her human crush, Sydney. When a strange artifact is brought to the station it grants Naomi emotion, which she is ultimately unable to control. This causes her unrequited love for Grace to 'explode' out of them, and they act out erratically and attempts to entrap Grace within the station forever.


Something I feel is important to keep in mind about the role is that Naomi isn't intended to be a rendition of the "mad/spooky AI" trope - rather they're an AI who is unable to cope with the strange sensations that having emotions bring.


Important Role Characteristics

A key element of this role is the ability to portray both the extremes of a neutral-toned AI assistant who has very little to no feeling, as well as the other extreme of a character being torn apart by feelings after being given the ability to feel emotion. 


There are some lines that will require screaming, laughing and crying, so the ability/environment to record such lines is also key. This role will also have some post-effects added to it during some moments, but is likely to be unaltered through most of the game.


This role is open to all voice actors irrespective of gender identity. Ultimately, I'm open to any interpretation of the role that communicates the core concept of the character - regardless if that be from a masculine or feminine voice, and irrespective of the voice actor's gender.

Language:
  • english
Voice description:
  • videogame
  • video game
  • female adult
  • female young adult
  • nonbinary
  • androgynous
  • neutral
  • [Neutral Emotion] Good morning, Grace Tang. It is 8:00 a.m UST on Janus Station. Electromagnetic levels aboard the station are nominal. Air Quality is clear. I hope you slept well.

  • [With Emotion]I wish you could understand the words I am saying. I wish you could speak with me. How many years have we been together? How many ships have we explored together? How many mornings have I prepared your coffee? Or woken you up on time? How many times have you said thank you?

  • [As this character I'd like to hear a giggling laughter, a period of crying and a prolonged scream of pain, if possible]

Voice Actor
Voice Actor
Sydney Cooke (She/Her)
closed
Paid: Flat Rate 200 CAD
Role assigned to: Ashe Pendragon

Sydney Cooke (she/her) is a 32 year old woman and a hauling pilot working for Janus Industries. Her job is to haul junked ships to Janus Station to be audited for damages and resold. She has an easy-going and playful personality, and is fairly experienced and confident in herself and her work.


She has a what seems like a slightly flirtatious relationship with the main character (Grace) who she hangs out with on occasion, however it's never made explicitly clear whether or not she has a platonic interest in her or romantic one.


Through the course of the game Sydney has some casual conversations with Grace over radio, and helps guide Grace to safety when her life is threatened by Naomi.


Important Role Characteristics

This role engages in playful banter with Grace, and also acts as a guiding point for them during high-intensity moments of conflict in the game. The ability to be able to convey a strong yet playful conversational tone during some moments, as well as a serious and guiding one in others will be most desired. While a woman, she might carry a more masculine attitude or tone as well.


All genders are encouraged to apply!

Language:
  • english
Voice description:
  • videogame
  • video game
  • visualnovel
  • female adult
  • female young adult
  • nonbinary
  • androgynous
  • [Casual] Alright, you're locked in and good to go! I gotta make a rush order across the sector - I'll see you tomorrow.

  • [Casual] Anyway, I was wondering if you wanted to chill tomorrow morning when I swing by? My afternoon delivery got called off so my schedule is weirdly free for once.

  • [Under Pressure] Oh shit I hear it. Okay, okay I see you on my scanner, just follow my directions, okay?

Voice Actor
Voice Actor
Grace Tang (She/Her)
closed
Paid: Flat Rate 250 CAD
Role assigned to: TaylorJo

Grace Tang is a 26 year old Valuation Analyst for Janus Insurance Systems. She has worked there alone for six years on the station.


Grace is pretty content with the daily grind and to conserve energy tends to sped most of her days in an induced sleep to preserve energy on the remote site when she's not working. Her biggest unhappiness comes from her unrequited crush on Sydney, who she's been meaning confess her love to but is too scared to do so. She is a bit consumed by her affections for her and often neglects Naomi's attempts at companionship as a result.


This role has been pre-filled by a voice actor.

  • *Say something you think would fit*

Comments

Public Submissions

You are viewing the logged out version of this page.

When you are logged in, you can comment, add submissions, create projects, upvote, search open roles, and way more. Login here.