The Amazing Spider-Man: The Audio Drama // Production Crew

SCRIPT WRITERS/EDITORS

Scriptwriters and editors will be those who help speed up the process of writing episodes, they will be given outlines and ideas of descriptions, quotes, action, and basically what to include in a scene before they take the lead from there. They will be working CLOSE with the current creator/writer/producer and must be able to communicate effectively with them.

PLEASE HAVE A VERY, VERY, VERY GOOD UNDERSTANDING ABOUT THE MYTHOS, CHARACTERIZATIONS, HISTORY, AND COMICS OF SPIDER-MAN!!

Due to the length of Season One being eighteen episodes and there currently being one person doing this job(myself), more than one writer/scriptwriter/editor would be ideal. You would also be expected to be communitive and have the ability to work well with the cast and crew, such as musicians, cast, audio/sound engineers, editors, and so on.

If you audition, it would be preferred if you were able to return to the series for FUTURE seasons!

When you audition for this writer role, it would be amazing if you could submit your most recent AS WELL AS your most relevant works(in regards to something similar to what you will potentially be writing for the series). You can do this by adding the two works to an accessible Google Drive and sharing the link in the audition notes! 

MUSIC COMPOSERS

In regards to what the main theme of the show should sound like, please be inspired or based on the beautiful and heroic piece of music by John Murphy & Henry Jackman from the movie Kick-Ass called "Flying Home"! It would also be great if you incorporated either the "Spider-Man, Spider-Man!" motif from the 1960s Spider-Man show OR the "Spectacular Spider-Man" tune from the show of the same name in this main theme! For background music and other themes that you hear throughout the show, please look to the works of Hans Zimmer(The Amazing Spider-Man 2), John Paesano(Insomniac's Spider-Man Games), James Horner(The Amazing Spider-Man), and Daniel Pemberton(The Spider-Verse Films) as inspiration!

Due to the length of Season One being eighteen episodes and there currently being one person doing this job(myself), more than one musician/composer would be ideal. You would also be expected to be communitive and have the ability to work well with the cast and crew, such as writers, cast, audio/sound engineers, editors, and so on.

If you audition, it would be preferred if you were able to return to the series for FUTURE seasons!

When you audition for this composer role, it would be amazing if you could submit your most recent AS WELL AS your most relevant works(in regards to something similar to what you will potentially be composing for the series). You can do this by adding the two works to an accessible Google Drive and sharing the link in the audition notes! 

AUDIO EDITORS

Audio editors are the ones who will edit a final product together for the listeners, after being given engineered lines and audios from the audio engineers, combining them with sounds and effects given by the sound designers, and making EVERYTHING flow together nicely with the addition of any background music given by the musicians/composers. Your job is helping edit what the listeners of the Audio Drama will hear on Spotify and YouTube.

AUDIO ENGINEERS

Must be proficient at audio editing, audio quality perfection/smoothening, audio mixing, and music editing, as well as audio/music/sound engineering.

SOUND DESIGNERS

Must be able to have a source of collecting/compiling desired sound effects, the ability to edit the sound effects to fit the environment/scene/scenario that they will be used in, in addition to creating sound effects if necessary!

Due to the length of Season One being eighteen episodes and there currently being one person doing this job(myself), more than one audio engineer/sound designer would be ideal. You would also be expected to be communitive and have the ability to work well with the cast and crew, such as musicians, cast, and so on.

If you audition, it would be preferred if you were able to return to the series for FUTURE seasons!

When you audition for either the audio editor, audio engineer OR sound designer role role, it would be amazing if you could submit your most recentAS WELL AS your most favorite work that showcases your abilities as an audio editor, engineer or sound designer.