KREXA: Fractured Reality is the Second Season of an Original Stop Motion-Animated Sci-Fi Web Series set in the "Altered Timeline" continuity, which started with 2018's ALTERATIONS Season 1. The series is heavily inspired by LEGO's hit cross-media franchise BIONICLE, as well as numerous video games, TV series, and films such as Dreamfall: The Longest Journey, Dreamfall Chapters, Portal, Half-Life, Dead Space, Amnesia: The Dark Descent, Amnesia: Rebirth, SOMA, RWBY, and The Matrix. The series is being directed and produced by Krexa Prime, with the original story treatment written by Lei Valtapaz, and reworked/revised by Krexa Prime. Season 2 will have 6 Episodes and be approximately 2 hours long with all episode lengths combined.
BEFORE YOU AUDITION
Voice actors will need to have a good-quality mic. Try to eliminate reverb and background noise while recording.
PAYMENT
All paid roles can be paid via PayPal or Venmo. If there's another payment method which works better for you, let me know.
CREDIT
By being a voice actor in this series your name will appear in the credits of every episode you appear in. Links to your YouTube channel and/or other forms of social media will be in the description if you're cool with that.
DEADLINES
The deadline for auditions is July 28th. If roles have been cast by then, voice actors will be notified that they've acquired the role by July 30th. All voice actors must have their dialogue recorded and sent by August 13th.
ABOUT RECURRING ROLES
The characters Toa Rerekei, Ignacius, and The Watcher will all appear in Season 3 of KREXA: Fractured Reality, and possibly even beyond that.
Most importantly, have fun while recording, and good luck!
A wise mentor to Toa Angwairu (one of the main characters), Rerekei was a Turaga (village elder) before being transformed back into a Toa Hero by the Great Beings. He guides those who need direction, and carries out missions according to his duty.
(Sad) “I will not be accompanying you this time. I have… responsibilities to uphold, and penance to serve for my actions.”
(Confident) “You’ve got that right, brother. Do you have a plan of attack for this one?”
(Explaining) “And you can still be with him after you find the Crucible. I don’t see any reason why you should not be together. After you complete this task, you need to go back to Korerowa to finish the mission. After that, the two of you can go and do whatever you want to.”
Ignacius is a mysterious, ancient being of great power. He seems to be on the side of our heroes, but there's something underneath the surface that he's not telling anyone which could be dangerous and unpredictable.
(Frustrated) “Whether it’s his fault or not, that doesn’t matter right now. We are living in a fractured reality.”
(Explaining) “I see that you’ve already activated the Crucible Blade. Try waving it around. By focusing the Kryaxic Energy within the blade, you can form a portal to teleport yourself to a specific location.”
(Diplomatic) “I’d like to offer both of you another opportunity, as newly-transformed Toa, to gain more experience- to escort and protect “The Endeavor” on its journey back to the space station."
A good-natured Ko-Matoran living in the city of Metru Nui, Malqa's mind gets trapped in the dream world of Korerowa, and it's up to a certain Toa of Earth to help him out.
(Telling someone what their name is) “Malqa…”
(Scared) “I’m lost… can’t find my Metru. Don’t know where it is… I’m scared.”
(Peaceful) “Ko-Metru…”
A chipper, outgoing female Dark Hunter, Xanthia enjoys going on adventures with her boyfriend, tracking down fugitives and collecting their bounties. Usually she's pretty chill, but if someone threatens her or the person she loves, well- let's just say that you won't like her when she's angry.
(Reassuring) "We're going to make it out of this. Both of us are. We just need to try and survive a bit longer, okay?"
(Threatening) "Stay away from me. You want to get to him, then you've got to kill me, first! I'm NOT letting you take him from me!"
(Anxious) "Are you sure about this? Like, is this really the right thing to do? Or should we have done something else that... feels more right? I don't want to make a wrong decision here which is going to haunt me for the rest of my life."
An ancient being created by the Great Beings in the past, The Watcher looked after Korerowa, the realm of multiple realities. Recently, though, he's been called somewhere else urgently, thus needing to find his replacement...
(Apologizing) “I am sorry, Toa. It was rude of us to summon you here so suddenly.”
(Explanatory) “The Great Beings. I am but one of their creations, poised in this realm and tasked with watching over the realities of all creatures throughout the universe. This is the in-between. Ao moemoea. Korerowa.”
(Explanatory) “You are wise beyond your years, Toa Rerekei. I have been called somewhere else urgently. We want you to be my replacement.”
A Ko-Matoran philosopher trapped in one of the Knowledge Towers of Ko-Metru with Krexa Prime and other Ko-Matoran, Krexa's co-worker is pretty level-headed, and talks to Krexa a lot. But when he thinks Krexa's going crazy, he gets concerned and tries to stop him from doing anything foolish.
(Discouraging) “Krexa, we’ve been over this. Ko-Matoran are scholars and astronomers. You aren’t a Ta-Matoran that needs to craft masks.”
(Reassuring) “Don’t be ridiculous. Where will you go? Up here in the Knowledge Towers, we’re safe, the outside elements can’t harm us, and we’re free to study our craft silently in the peace of quiet without the slightest bit of interruption.”
(Warning) “Wait, Krexa- don’t step any closer to the window! Watch out!”
Currently searching for a music composer to come in and adapt a handful of character themes/motifs, which were established in the last season of the series, into different styles/variations. Would also need them to compose some new character themes and tracks for the new members of the cast, plus some music to play during dialogue, fight scenes and confrontations.
This position would preferably be long-term, as we would like to have someone to compose the score for the next few seasons. Payments would be on a season-by-season basis (Example: $200 for composing score for Season 2, $200 for composing score for Seson 3, etc.)
Open to adjusting pricing as our team is still relatively new to hiring composers for our projects!
Say something you think would fit
