Doodle Noodles

Crazy is the Screwball and protagonist of this series. He is known to be a crazy, wacky circle and of course <-(A Daffy Duck Wannabe). No matter what situation he's gotten himself in to, Things are going to get wild and wacky once something odd happens.

I've always imagined Crazy to have a voice that is similar to Daffy Ducks.

Janice is just your typical tomboy that would eventually team up with Trixie Thundermiffler to take down that Screwball in it's tracks. I would imagine her voice being like Ami Onuki's from the 2000s show HiHiPuffyAmiYumi but more tomboyish and mean. If you can pull out a good impression of her. You'll get the part! (ANY UBERDUCK AUDITIONS ARE PROHIBITED AND WILL BE REJECTED IF UBERDUCK AUDITIONS ARE DETECTED IN THIS PART OF THE CASTING CALL)

Basically I could imagine having Yamiko's voice sound like Yumi's voice from the Pilot version of HHPAY.

Here is a reference on what I'm talking about:

Hi Hi Puffy AmiYumi - Pilot Episode - YouTube

With the reference provided via this link, This would give me better results on what I want Yamiko to sound like.

(ANY AUDITIONS WITH UBERDUCK ARE PROHIBITIED, AND WILL BE REJECTED IF I CATCH ANY AUDITIONS THAT ARE USED WITH UBERDUCK)

I have plans to feature Julia in a one-shot short featuring her and Cecil, she basically has a French accent and will use French words for most of her sentences. 

Basically for this role, If I can't come up with any designs for a certain character I'll see if I can let you think of a design in your perspective view. Here are a few rules that need to be followed:

1. Do not make any characters that can come out offensive or racist to other viewers.

2. Absolutely NO RACIAL STEREOTPYES or any kind that can come out as offensive or racist. (as shown in Rule number 1.)

Basically, for my comics I'm going for a Looney Tunes-like feel. which means not just writing outlines for comics, you are also coming up with title names for certain comics in case I'm unable to think of any. If you want to be a part of this role, just apply here. 

Here's what you apply to be a storyboard artist. As you know A Storyboard artist takes the script and the radio play and visualizes it. I want my series' art style to be a combination of the Looney Tunes Cartoons, and My art style. So try to stay on model. The characters should be designed like a combination between Looney Tunes and my art style. Feel free to add some expressions that are similar to SpongeBob. However DO NOT go overboard with the expressions like what John K did with Ren and Stimpy. To apply, you can submit a storyboard test, a comic strip, or a portfolio.

Here's where you audition for a clean up and color artist. The clean up and color artist cleans up the sketches from the artists. Please note that I really like the characters to be outlined along with vibrant and radical colors. Also I want the outlines nice and neat.

Here's where you apply to be a storyboard revisionist. A storyboard revisionist makes some adjustments if the director calls for it. 

Basically for this series I'm going for a Carl W Stalling-esque feel along with a Milt Franklyn-esque feel to it as well. However I'm ok with incorporating other music genres just as long as I feel like it. Anyways if you want to take part in this, be my guest! I won't mind working together with other composers.

Basically since I can't do the sound effects alone. I would love to work with other sound designers! Don't worry I will still do some of the work myself. If you want to get this role make sure you don't overuse the Hanna Barbera sound effects cause I don't want it to be like the Dark era of Looney Tunes from 1964-1969.